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208 No. 208 ID: 878c7b
Bear with me, I'm a little rusty. I'm bored, though, and wanted to try and tackle one of my big sticking points back when I did write more -- suspense. Criticism is welcomed and appreciated.

---

"Shit!"

"Sssh!"

"Shit." He whispered this time.

Two weeks of planning, four hundred thousand credits, five of the most skilled people in the business, eight minutes to get in and out, and eighteen million platinum on the black market.

It's funny sometimes, how things boil down to numbers.

Sort of like the twenty-eight guards in the building, the three security cameras in the room, the forty slender red beams shining through the smoke, and the two inches between Otto's face and the nearest one.

Up on the roof, Kelly and James held tightly onto the metal cord. James coiled some around his arm, for a better grip.

"We've-- unf," Kelly grunted audibly into her earpiece. The weight was putting a strain on her arms, and her palms were starting to sweat. She tightened her grip. "We've got you."

"The fuck was that?" Otto hissed. Even though the cameras were off, he kept his voice down. No use in bringing a patrol in here early. "Look, if you're trying to scare me, then bravo."

"The bleedin' cord snapped. We're, uh-- we've got you." James tried hard to hide the fear in his voice, but his eyes didn't move from the winch. Seven minutes.

"Fine, fine. Can you 'got me' a foot to the right, then? Our information is either old or bad, but this security beam layout isn't the one we were given."

Bracing his feet against the stone surrounding the glass dome, James looked uncertainly over to Kelly, who nodded, slowly letting go of the cord. He grunted a bit with the additional weight, but his brace kept him steady-- for now. Kelly quickly moved around to the other side of the winch, maneuvering the stand it was on.

"There, stop." Otto hissed. Kelly obeyed, and peered curiously down into the room where Otto hung suspended. "Now lower me eight feet."

"Um, Otto?" Kelly said nervously. "The cord. It's snapped. We don't have eight feet."

"Oh, for fuck's-" Otto was quite nonplussed at this reminder. Grimacing, he knew what had to be done. A glance at his watch only reminded him of the impossibilities of this new plan forming in his mind, but that same glance reminded him of the inevitability thereof.

Quickly, Otto started pulling at the fingers of his thin cloth gloves. "Alright, fine." He hissed. "When I tap twice on the microphone, I want you to drop me."

"What?!" Kelly gasped. A glance at James told her he was thinking the exact same thing. "Eight feet? How are you going to manage that without bringing the guards?"

"Don't question me, Kel. Six minutes." Getting his second glove off, he balled them both up in his hands as he explained, "There's not enough cord to get me back up. I'm going to have to improvise. Ready?"

The seconds of silence on the other end gave Otto his unspoken confirmation. Stuffing the gloves into his mouth, he bit down hard on the soft fabric. He reached a shaking hand up to the headset at his ear and tapped twice on the microphone.

In that instant, James let go of the cord, and started Otto in a face-first free-fall toward the museum's marble floor.

Stretching out his arms, Otto hoped to absorb most of the impact there, rolling the rest of his momentum forward. He underestimated the distance of the fall, though, and upon landing, a sickening pop rang out from his right wrist, causing him to cry out in pain, a cry only barely muffled by the wadded-up cloth.

Kelly looked down into the room with uncertainty. She heard Otto's muffled cry, and could see a figure sprawled out on the floor, but without any word from Otto, there was no telling what shape he was in. James peered over the edge next to her, asking, "Otto, mate, you alright? Come on, don't leave us in suspense here."

Otto lay on the cold marble, cradling his wrist in his left hand. He spat the gloves out, more damp from his nervous perspiration than saliva, and grunted into the headset. "My wrist... I think it's broken."

"Bloody good plan, that was. How do you expect to get the package now, let alone get out of there alive?"

Otto groaned lightly. Gingerly rotating his arm, he caught a glimpse of the face of his watch. "I've got five minutes. I'll work something out. You two get the gear and head to the rendezvous. Kyle will want to know about this little change of plan."

Kelly spoke up, nervousness pervading her voice as she nodded to James. "Fine. Be careful, though, please. I want to see you at the rendezvous alive, Otto."

Pulling himself up onto his knees, Otto grunted his acknowledgement. Fumbling with the toolkit at his belt, he pulled out the chipboard Kyle gave him, and started to crawl over to the case in the corner of the room.

In the transparent aluminum case, Otto could see the glinting of their prize -- the jeweled crown presented to Queen Bariv at the first coronation on Osiris. Priceless to most, but certainly not to them.

"Right, you. I sure hope you're worth the trouble." Otto growled, pulling himself up to eye level with the security panel on the case and prying it loose -- just like they'd practiced. Working quickly for having one good hand, he wired in the chipboard, overriding the circuit and raising the case.

'Right, step one: done.' thought Otto, as he hastily shoved the crown into the bag on his back.

'As for step two...' he fumbled with the holster on his right hip, unfastening the strap and drawing the YZ-181 pistol in his left hand. 'That's going to take a bit more imagination.'

Four minutes.

(NO EXCEPTIONS)
>> No. 209 ID: 44009e
Why was this dude banned? Ponies?

Anyway, you didn't really build a lot of suspense here, man. It was a cool little action short, but I didn't really give a shit about any of the characters, ruining any possibility of suspense. I'm sure you could make it longer and flesh out their personalities though.
>> No. 210 ID: 1673ec
Well, I liked it.

There wasn't a lot of character development, true, but it was still enjoyable, if more as an action piece than as a suspense piece.

I really liked how the OP didn't waste time explaining all the terms and backstories for every little thing, like who's crown was getting stolen, exactly. If it's necessary, then do it, but shit, can you imagine if Star Wars (1977) had taken the time to explain who and what everything was?
>> No. 211 ID: d27172
>>209

Yup. Ponies.

>>210
>can you imagine if Star Wars (1977) had taken the time to explain who and what everything was?

The fuck are you talking about? Did you have trouble paying attention for 12 seconds?

>"It is a period of civil war. Rebel spaceships, striking from a hidden base, have won their first victory against the evil Galactic Empire. During the battle, Rebel spies managed to steal secret plans to the Empire's ultimate weapon, the Death Star, an armored space station with enough power to destroy an entire planet. Pursued by the Empire's sinister agents, Princess Leia races home aboard her starship, custodian of the stolen plans that can save her people and restore freedom to the galaxy..."

That's a back story. There's an evil empire. They're building a planet destroyer. Rebels are trying to steal their plans, which are in possession of Princess Leia, who's being chased by the stormtroopers. They don't go over the history of the empire or anything like that, but that had nothing to do with the story that was being told. Luke Skywalker didn't know or care about any of that shit, he was just thrust in the middle of this war and it was up to him to save the day.

OP, that's the problem with your story: we don't know what's going on. It's like starting a book by flipping open a random page instead of starting with page 1. If you were going for a nonlinear style and were planning to reveal the background of the characters, what they were doing, what they looked like, Catch-22 style, then fine, but as it stands this is just a scene of a greater story and without context there isn't a story.

AS for your writing, avoid cliches like

>It's funny sometimes, how things boil down to numbers.

Just ugh. I feel like that's opened every story I've ever read that was written by a college student. The flippant, apathetic tone is just so stale and it feels too much like a mishandled Holden Caufield. I mean that as a horrible, horrible insult.

>"Oh, for fuck's-"

Idioms need to be avoided, especially when you're writing such a short piece. They make you seem uncreative and make the characters seem flat.

Really, the entire dialogue is pretty flat. It's not necessarily choppy or bad, but they're not really saying anything. They're talking about specifics to the situation, and the problem is that they're not really saying anything. You could change all the characters around in this story and it wouldn't matter a damn; none of them have any semblance of personality aside from the fact that they're all thieves. Characters need to be unique, breathing organisms. They need to have idiosyncrasies, a specific tone, a key role in your story that makes them absolutely irreplaceable.

The pacing/suspense is fine, but it doesn't matter here since the bad character development and out-of-context plot supersedes that. Work on that, the cliches, and making the characters seem less like characters and more like people.

>Right, step one: done. As for step two...

Granted, I've never stolen a crown, but never in my life have I ever mentally narrated my actions as "okay, step one, step two, step three," even if I was following instructions that listed "step one, step two, step three." People just don't do that in real life.
>> No. 216 ID: 1673ec
>>211
The film didn't explain who Jabba was, what the Jedi really were (even excepting fuckin' bacteria-based Force), what the clone wars were, what a lightsaber was, how space travel worked, how exactly Han & Chewie ended up in debt, what a moisture farmer does, etc, etc, etc.

The opening crawl didn't explain nearly as much as it seems.
>> No. 222 ID: f5f9d2
>>216
>explain who Jabba was
>how exactly Han & Chewie ended up in debt
deleted scene after introducing Han had him run into Jabba and explained the debt. Moisture farmers farm moisture, its a desert planet, they need water, I knew that from the name. Technical science details weren't explained because Lucas had no clue how to make an explanation that didn't sound stupid, they needed the EU for that. The force is a quasi religious thing, it wasn't supposed to have an explanation, ever. Fuck the phantom menace.
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