-  [JOIN IRC!]


[Return] [Entire Thread] [Last 50 posts]
Posting mode: Reply
Name
Subject   (reply to 393)
Message
File
Password  (for post and file deletion)
¯\(°_O)/¯
  • Supported file types are: BMP, GIF, JPG, PNG
  • Maximum file size allowed is 1000 KB.
  • Images greater than 400x400 pixels will be thumbnailed.
  • Currently 179 unique user posts. View catalog

  • Blotter updated: 2023-01-12 Show/Hide Show All

File 132685897117.jpg - (9.78KB , 220x328 , 220px-Neuromancer_Brazilian_cover.jpg )
393 No. 393
I just read this shit and fucking loved everything about it. I'm ordering the rest of the trilogy in the next couple of days. Please tell me they are as good as Neuromancer.
>> No. 394
They are- though they're also different. As the trilogy went on, the writing became more subtle. Count Zero is great, lots of action and some really cool concepts.
>> No. 427
The first time I went beyond Neuromancer and started with Count Zero I didn't like it, because I was so impatient for the story to wind up in the matrix, which it hardly ever does. I read it again a few months ago and liked it a lot better then, when I had no anticipation that it would be a ceratin way and rather just read what there instead.
>> No. 438
I loved both Neuromancer and Count Zero (have yet to start Mona Lisa, I'm working on Snow Crash). However, my problem with both books is that they get to a certain point and the storytelling gets all muddled and kind of like WTF just happened. Neuromancer did that when they were going to the Rastafarians, and Count Zero pretty much just ended abruptly and that really sucked.
>> No. 439
>>438
I actually liked the ending to Count Zero, but Neuromancer did get pretty weird when they went inna space.
>> No. 442
Case flips.
>> No. 447
The point of the books isn't really the plot, it's the use of language and imagery to construct a truly compelling cyberpunk aesthetic. All of the Gibson books turn to mush at some point, but it's always worth it to stick around for the ride. I find that Neuromancer is his best work, but they're all pretty much the same. If you want a book that works as a linear narrative, stick to the short stories because he ALWAYS sacrifices plot for descriptions of anything Chrome.

I like Gibson because you can always just pick one up and turn to the middle and start reading, the language and atmosphere are just that amazing.

Snow Crash is worth your time, although I feel like that one also goes off the rails at some point.
>> No. 448
Here is a pdf of neuromancer if anyone wants it :
http://www.sendspace.com/file/qc7dsq
>> No. 450
>>447
All cyberpunk novels tend to do that, but I think it just helps underscore the sheer weirdness of the circumstances the characters find themselves in.
>> No. 454
>>442

Is this a spoiler for the other books?
>> No. 456
>>454
Case is only in Neuromancer. Molly turns up all over the Gibsonverse though...
>> No. 459
>>456
She's like the Johnny Depp of Cyberpunk. heh.
[Return] [Entire Thread] [Last 50 posts]


Delete post []
Password  
Report post
Reason