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No. 936
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-SEX ROBOT-
It's, what? Sunday? Hahaha.
Our hero is now wanting to grasp his key-tar hidden over behind the stack of doujinshi from the 20th century, along with etchi school girl mags, his keytar is a candy-lavender sheen with golden keys where the black should be. The main keys are white... he grabs it and lies down on the water-bed, flipping the switch on the keytar making it spin. The little, brown, tobacco-stained lever wasn't there before he decided it should be... Graham... is in hell.
A very special version of hell. And this time, he's ready for something nasty. The large, cast-iron door is a weird pink; pastel with polka-dots. He can decide on any color in the room, any decor, but he has to grab it out of an un-locked chest from within an alcove, which he removes from it and opens, to find anything he would like to decorate the room with. After playing out "Toot Suite," on the kawaii-sugoi instrument of the early 1980's, he decides to get something to "decorate" his experience; his abode, with. Turning on the fatty ps2 under his bed with the dip-switch ingrained behind his left ear Graham decides to play some Grand Theft Auto 3, illuminated in a holograph, illustrated in matrix-green on the bathroom mirror. In there it's a bit lighter pink than in the main room. The dirty, almost weirdly hellish programming inherent in the graphics of the old game priques Graham's young penis, entering a jive of blood and electricity in the end of his meatus.
"I know a place on the edge of the red light district where we can lay low. But my hands are all messed up so you better drive, brother."
8-ball is the somewhat oddly-set majordomo of the 'mute protagonist of the 6th generation title, Claude. He's requiring Claude to drive since his hands have been bounds due to a reason not alluded to or spoken of in the game. It's kind of an odd title that Graham hasn't played since he was in like 5th grade. Claude hops in and head radio blips on. The trunk opens up by itself, and from the corner of his eye Graham notices a figure from Ghost in The Shell walking over to him--it is an out-dated sex droid from the movie "Innocence." Sitting down on the spinning pink round bed, it lies about 4 or 5 inches from graham, the jade holograph of cartoonic scenes of early-2000's death and mischief now the center of Graham's vision as his back waddles in the wake of her disruption of the gel-substance composing the entirety of the bed's internals. His hands release from the shape of holding a video game controller, and lie down on the bed, the visuals disappearing as he does.
"Eh hee ey hee ey, eh hee ey hee ey," " sings "Stripe Summers" of head radio in the room as the child-like fuck-husk cocks her head. Graham's eyes lock with her green eyes as he looks over at her, a perfectly neotenic presentation of sex from The Lord of the Flies, himself.
A genuine smile creeps to his face as he visualizes his guardian angel from Earth filling his heads of his memoirs and short stories from his time as the Anti-Christ.
The cask of a geisha kid slides it's velvet-strapped mechanically-jointed fingers across his cheek, it's cherubic face luring into his frontal cortex feelings of uncanny valley as he holds onto it's hand and brings it to the floor. The shag on the floor feels good on his bare back as she takes off his pants and his member flops up onto his stomach like there's some garrotte twins rigging it there. With a medium-pitched whirr she gets onto his crotch, it's tip tickling between the soft velvet on her stomach-plate, and his tongue feeling the nine-volt current of her tongue as she rests her robot hips. His inflated urethra is a bit flattened with the rest of the vans deferens vibrating inside of his loins, the three spongey tubes lying there between them, a sexual layer of vacuum between their bodies. Her porcelain white ass, with all of it's divine curvature, resting plump and crooked; raised in the air with her knees bent to his sides, she mounts him closer, the antler-product--the velvet--irritating his increasingly growing penis as it lies protracted awkwardly without adjustment below her heavy but petite cyborg body.
The breast plates have a layer of temper-foam scuunci on the cask, (the default portion of her body; normally it'd have additional outfits and exteriors for further customization) designated to that spot by the designers for any cyber-jockies for a real thing for the bare-bones look of that. More whining and whirring by the worm-and-sector automation-system of her appendages and their joints. Graham lifts a hand to that ass and squeezes it, the bot auto-adjusting to his tastes, lifting a leg and jelquing her synthetic vagina, fold against the tip of his cock, her weight further lifted up so he can enjoy it further with his mouth. The ass is soft and supple, but 'old-world' and not what he'd expect upon his original viewing of the auxiliary cyberpunk title of the famous series.
Her ass is crooking back and forth, it's plush depths seemingly endless amidst Graham's hard grip of the meat of the thing. Finally, she adjusts and her face sits lifeless as the cavity of her hips slide onto his cock, grating and vibrating inside with the mechanics of it, as it struggles to maintain it all. With her arms down and her chest propped up tangent to his supine lying-down stance, she jitters about an inch or two with each pump, her black mop-top jelly-fishing sporadically with every grisk of the function.
He lifts his hands over and behind his head and arches his back as the wonderful machine arches in the opposite direction, something of a scalene triangle, now. Grabbing and locking their hands, they rock back and forth feverishly like an ivy league rowing team in-tandem with one another at a practice session on a free saturday. It begins excreting a mixture of light oil, containing a percentage of KY but mainly baby oil to lubricate their session as her toes arch, and dig into the carpet like some sort of sex monk. His sweat coats her mechanical shell, and he drags them over still-conjoined to the pastel wall and rests his tailbone, relaxing his core into the crook of the wall to the left of the bathroom door. Placing her hands on a towel-bar above his head, he lies down and it takes the queue: She mounts her US-size 2 feet onto the floor like a rock-blower in a quarry and adjusts her weight to the act. Sliding up and down up and down the lewd pseudo-human doll created for rich businessmen tracts it's hips further into his, locking down the suction inside of her hip cavity to acquaint for the size of his phallus compared to her lower-body's size, accomodating further as she goes faster and faster, more professionally against his every tremble and toss, feeling the pre-ejaculate flowing out like a half-broken water-fountain in a Battery Park, she goes faster and faster, milking the suffixal stuff until his body tenses, sharply stopping motion to let him decide what to do. "Yeah..!" Graham calls out weakly, and her pupils give out a weird colored light as she motions into a hyper-drive, his cum now expanding her uterus-back until the belly plates creak into an exterior position.
The Anti-Christ whimpers as his penis is oversensitively milked, writhed, and his balls twine like a damp towel being wrenched, his mouth open and croaking at this absurd motion taking him for all he's got. His penis grows inside of the thing and it spazzes out going faster, and faster as blood start to shoot out, his testicles grinding and reformulating themselves via devil's magic so he can go in and out of sexual consciousness, refractory be damned, the floor drenched and his libido, now, fully relaxed and satisfied by this act... As the robot now slides off of him, slacking to the spot on the wall next to him, he hands her a Benson and Hedges lite, a smoke cloud filling the dark room, and her head leans against his shoulder, both lighting up, with his balls lifted up into his stomach, and his semen inflating hers.
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